We ♥ Adrian Piper.
adrian piper - my calling (card) #2, 1986
the artist distributed when she felt was appropriate. she was mixed race.
(Source: christopherbarry, via blackcontemporaryart)
We ♥ Adrian Piper.
adrian piper - my calling (card) #2, 1986
the artist distributed when she felt was appropriate. she was mixed race.
(Source: christopherbarry, via blackcontemporaryart)
No one is so eager to gain new experience as he who doesn’t know how to make use of the old ones.
Marie von Ebner-Eschenbach (via tattoolit)
Touch pain with great curiosity.
Jorie Graham, from “Daphne” (via the-final-sentence)
(via the-final-sentence)
“Black women have been doubly objectified—as black, as women; under white supremacy, under patriarchy. It has been the task of Black women artists to transform this objectification: to become the subject commenting on the meaning of the object, or to become the subject rejecting the object and revealing the real experience of being.”—
MIchelle Cliff (via theangryblackwoman)
› Love, Locks, Laughter, Words, & Breath: I'm so conflicted by Kony 2012
Of course the first thing that came to mind is the whole white savior thing. They made being an activist look really cool in the video and there were not that many people of color who appeared on camera… just saying
Then of course I don’t want to be a hater. Ignoring oppressed people simply…
(via mindfulwolfe)
Luke Hillestad. Dead is Dead.
Do we let it in, do we have a choice?, 2010.
Because they will take it back, piece by piece, 2010.
untitled by Salva López on Flickr.
Adel Kassem. A Lot, 2010. Acrylics on paper, 30 x 23 cm.